Also in 2025, Rod RAS took part in Transbordar, a group exhibition at OLugar Arte Contemporânea, Rio de Janeiro, his third show at the venue that year, closing a season of intense presence in Rio’s circuit, which added up to five participations in group exhibitions, all of them between São Paulo and Rio de Janeiro.
The title, meaning “overflowing,” is a fitting key to read the artist’s production in that period: embroideries produced in metallic and cotton threads on canvas, spilling beyond the traditional hoop, and a practice that crosses series, from the bound self-portraits of Shibari & Flowers to the mythical figures of Minotauro de Pirenópolis, always with the body as the first territory.
Group exhibition at OLugar Arte Contemporânea, Rio de Janeiro/RJ, 2025.


