Also in 2025, Rod RAS took part in Transbordar, a group exhibition at OLugar Arte Contemporânea, Rio de Janeiro — his third show at the venue that year, closing a season of intense presence in Rio’s circuit, which added up to five participations in group exhibitions, all of them between São Paulo and Rio de Janeiro.
The title — overflowing — is a fitting key to read the artist’s production in that period: embroideries produced in metallic and cotton threads on canvas, spilling beyond the traditional hoop, and a practice that crosses series, from the bound self-portraits of Shibari & Flowers to the mythical figures of Minotauro de Pirenópolis, always with the body as the first territory.
Group exhibition at OLugar Arte Contemporânea, Rio de Janeiro/RJ, 2025.